Author Archives: lo.dagerman

In this essay from 1950, Stig reflects on the writing of his novel Wedding Worries and his creative process at large. Late one evening in 1931, I went into a stable loft on the farm in Älvkarleby in search of a … Continue reading →

La Politica dell’Impossibile, a well-received recent Italian collection of Stig Dagerman’s political articles (Iperborea, 2016). The following article from the collection is on The World Citizen movement for peace spearheaded by American Garry Davis. “Politics has been called the art of the … Continue reading →

— Stig Dagerman, 1950. His response to a magazine question posed to six authors. To speak of humanity is to speak of oneself. In his relentless indictment of humanity at large, the individual himself is a part. Only death can separate … Continue reading →

There are perhaps only three contemporary Swedish authors of the highest caliber who have reached the wider world: the poets Gunnar Ekelöf and Tomas Tranströmer, and Stig Dagerman, who in spite of his death at 31 lives on in new … Continue reading →

In February 1953, Stig pens one of his daily occasional poems (Sw. dagsedlar) for publication in The Worker. He titles it One Day A Year. Very similar in tone to John Lennon’s Imagine. Stig’s poem is well-known in Sweden, inspiring, among other things, the … Continue reading →

A question from a reader: “I just read A Burnt Child, and I have been thinking quite a lot about it. I can see that it is partly about self-deception but I can’t describe how properly. Could you possibly help me, … Continue reading →

by Halil Gôkhan, Writer and Editor of KAFEKÜLTÜR in Istanbul If I remember correctly, the first time I heard Stig Dagerman`s name was  in 2005 when I learnt that  the Turkish writer and journalist Yasar Kemal had received an award from the Swedish … Continue reading →